Goldfinger would’ve hit the jackpot.” Four minutes is also the amount of time that Bond ( Roger Moore) has left to stop World War III when he enters the shattered command center of the Liparussupertanker in The Spy Who Loved Me. When the bomb is deactivated, the timer stops, fittingly enough, at 007-even though Bond ( Sean Connery) quips, “Three more ticks and Mr. Ling ( Burt Kwouk) activates the atomic device that’s set to explode inside Fort Knox in Goldfinger.
In the first three James Bond movies, which were projected on the screen in the 1.85:1 ratio-referred to in film jargon as “flat”-stuntman Bob Simmons portrayed James Bond. As it wavers and begins to sink, indicating the death of the sniper, the single dot reappears, through which we see the first scene of the movie’s pre-credits teaser. At a given point, 007 turns and fires at the screen, triggering a red shroud that slowly covers the dot. The dot itself then takes on the characteristics of the inside of a gun barrel. Accompanied by John Barry’s staccato signature 007 theme (which was continuously reorchestrated by succeeding composers), two dots-simulating the view down the scope of a sniper’s rifle-roll across the screen, merging into one dot through which James Bond takes his patented walk. The logo is featured in each film in the series. 2 white dots: The familiar animated logo designed by title specialist Maurice Binder for the first James Bond film, Dr.He spots the identifying marks when she climbs into her motorboat.
2 moles on the left thigh: The method by which 007 ( Sean Connery) recognizes Domino ( Claudine Auger) in Thunderball.1 minute and 52 seconds: The amount of time it takes SPECTRE assassin Donald Grant ( Robert Shaw) to track and strangle the phony James Bond in the From Russia with Love pre-credits teaser.Blofeld’s organisation, we are told, is a ‘private enterprise for private profit’ – in the parlance of modern intelligence agencies SPECTRE is a potent, hostile ‘non-state actor’.This is a list of some of the numbers and figures that have meaning from various points-in-time in the James Bond series. He is no longer simply an organ or agent of state. Put simply, the new organisation appeared to offer more wide-ranging potential for an engaging thriller narrative, not least because the master-criminal or super-villain now truly represented a universal, international threat to humanity. Fleming’s Playboy interview also suggested a literary logic behind the change, proposing that SPECTRE represented a ‘much more elastic fictional device’. (Bond himself admits in Thunderball that ‘with the Cold War easing off, it was not like the old days’.) The reality was that, as Fleming knew, Britain’s ability to act as an effective force in the international struggle against ‘Redland’ was, by this time, stretching the bounds of credulity.
He suggested instead that the villainous plot be the work of an international terrorist group known by the acronym SPECTRE.įleming claims that he closed down SMERSH in his novels and invented SPECTRE to reflect what he saw as a partial thawing of the Cold War. In a memo dated 15 June 1959 Fleming wrote that it would be unwise to directly identify Russia as the enemy: ‘Since the film will take about two years to produce, and peace might conceivably break out in the meantime, this should be avoided’. What you need to know is here, it was Fleming himself who suggested the change whilst working for producer Kevin McClory on the script for what would become Thunderball (book and film) prior to making the first film Dr No: